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One of the schools of Tlön goes so far as to negate time; it reasons that the present is indefinite, that the future has no reality other than as a present hope, that the past has no reality other than as a present memory. Another school declares that all time has already transpired and that our life is only the crepuscular and no doubt falsified an mutilated memory or reflection of an irrecoverable process. Another, that the history of the universe — and in it our lives and the most tenuous detail of our lives — is the scripture produced by a subordinate god in order to communicate with a demon. Another, that the universe is comparable to those cryptographs in which not all the symbols are valid and that only what happens every three hundred nights is true. Another, that while we sleep here, we are awake elsewhere and that in this way every man is two men. This much is already known: for every sensible line of straightforward statement, there are leagues of senseless cacophonies, verbal jumbles and incoherences. (I know of an uncouth region whose librarians repudiate the vain and superstitious custom of finding a meaning in books and equate it with that of finding a meaning in dreams or in the chaotic lines of one's palm . . . They admit that the inventors of this writing imitated the twenty-five natural symbols, but maintain that this application is accidental and that the books signify nothing in themselves. This dictum, we shall see, is not entirely fallacious.) He told me that in 1886 he had invented an original system of numbering and that in a very few days he had gone beyond the twenty-four-thousand mark. He had not written it down, since anything he thought of once would never be lost to him. His first stimulus was, I think, his discomfort at the fact that the famous thirty-three gauchos of Uruguayan history should require two signs and two words, in place of a single word and a single sign. He then applied this absurd principle to the other numbers. In place of seven thousand thirteen he would say (for example) Maximo Pérez; in place of seven thousand fourteen, The Railroad; other numbers were Luis Melián Lafinur, Olimar, sulphur, the reins, the whale, the gas, the caldron, Napoleon, Agustin de Vedia. In place of five hundred, he would say nine. Each word had a particular sign, a kind of mark; the last in the series were very complicated... |
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/**
* GENERIC POLLING SERVICE, used by Migrations panel to poll /migrations on page
* load and on new migration requests
*/
projectMigrationApp.factory('PollingService', [
'$http',
function($http) {
var defaultPollingTime = 10000;
var polls = {};
return {
startPolling : function(name, url, pollingTime, callback) {
if (!polls[name]) {
var poller = function() {
$http.get(url, {
cache : false
}).then(callback);
};
poller();
polls[name] = setInterval(poller, pollingTime || defaultPollingTime);
}
},
stopPolling : function(name) {
clearInterval(polls[name]);
delete polls[name];
}
};
} ]);
The Years of our Lord | 1647 | 1648 | 1649 | 1650 | 1651 | 1652 | 1653 | 1654 | 1655 | 1656 | 1657 | 1658 | 1659 | 1660 | 1629 | 1630 | 1631 | 1632 | 1633 | 1634 | 1635 | 1636 | 1629-1632 | 1633-1636 | 1647-1650 | 1651-1654 | 1655-1658 | 1629, 1649, 1659 | in 20 years | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Colick, and Wind | 103 | 71 | 85 | 82 | 76 | 102 | 80 | 101 | 85 | 120 | 113 | 179 | 116 | 167 | 48 | 57 | 0 | 0 | 0 | 0 | 37 | 50 | 105 | 87 | 341 | 359 | 497 | 247 | 1389 | |
Cold, and Cough | 0 | 0 | 0 | 0 | 0 | 0 | 41 | 36 | 21 | 58 | 30 | 31 | 33 | 24 | 10 | 58 | 51 | 55 | 45 | 54 | 50 | 57 | 174 | 207 | 0 | 77 | 140 | 43 | 598 | |
Consumption, and Cough | 2423 | 2200 | 2388 | 1988 | 2350 | 2410 | 2286 | 2868 | 2606 | 3184 | 2757 | 3610 | 2982 | 3414 | 1827 | 1910 | 1713 | 1797 | 1754 | 1955 | 2080 | 2477 | 5157 | 8266 | 8999 | 9914 | 12157 | 7197 | 44487 | |
Convulsion | 684 | 491 | 530 | 493 | 569 | 653 | 606 | 828 | 702 | 1027 | 807 | 841 | 742 | 1031 | 52 | 87 | 18 | 241 | 221 | 386 | 418 | 709 | 498 | 1734 | 2198 | 2656 | 3377 | 1324 | 9073 | |
Cramp | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | |
Cut of the Stone | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 2 | 4 | 1 | 3 | 5 | 46 | 48 | 0 | 0 | 0 | 5 | 1 | 5 | 2 | 2 | 5 | 10 | 6 | 4 | 13 | 47 | 38 |